Reception: Saturday, May 28, 2016 | 7-10pm
Exhibition: May 28 – June 26, 2016

C.R. Stecyk III “FOR RENT” 2016 | $12,000
A/P mono print on paper | 39 x 53 in framed | 30 x 43.5 in image


Gregorio Escalante Gallery is pleased to announce their inaugural exhibition, Sons of Pompeii, in their newly utilized space across from the gallery. Exhibiting works from C.R. Stecyk III, Chaz Bojorquez, and Shepard Fairey, this popup exhibition is sure to draw fans of these local Los Angeles legends.

Captured in lava and ash, Pompeii was eerily and perfectly preserved after it was destroyed by the eruption of Mount Vesuvius in 79 A.D. Archaeologists uncovered a wealth of artifacts and remnants of life interrupted, including hints of the historical beginnings of modern graffiti. Sons of Pompeii was inspired, in part, by the city and it's history. While visiting Pompeii, each of the artists was struck by the immediacy of the ancient graffiti that told the stories and lives of the city's inhabitants. Stretching across walls and swaths of space, these markings reflected the history of the city and unified its classes. Drawing upon that narrative, Stecyk, Bojorquez, and Fairey, use the history of markmaking to launch their exhibition.

Sons of Pompeii utilizes imagery from street art to institutionalized paintings to communicate a sense of solidarity in an everchanging city, and strives to bridge the gaps between different classes in contemporary Los Angeles.

About the Artists

C.R. Stecyk III has a vast oeuvre of work spanning over forty years. Utilizing letterpress, intaglio, lithograph, and printmaking techniques with the methodology and formats of trade printing, Stecyk creates poster works that question preexisting symbols. His pieces create an
unstructured interaction that seeks to create a disruptive communicative element with a public audience, choosing to post much of his work amidst forlorn vistas and ubiquitous background imagery. Stecyk has exhibited internationally and locally, with much of his work included in public museums collections including the King Stephen Museum in Hungary, the National Art Gallery of New Zealand, the Israeli National Museum, the Smithsonian Institute, and the Museum of Contemporary Art in Los Angeles. He has collaborated with a wide variety of creatives including Miki Dora, LeBron James, Shepard Fairey, Barry McGee, Greg Noll, Pete Carroll, Von Dutch, Tony Hawk, and Ed “Big Daddy” Roth.

Chaz Bojorquez creates works with a variety of influences from Asian calligraphy to Cholo style graffiti, using the paintings to ask oftentimes difficult questions about himself and the role of graffiti in regards to cultural identity and history. After embarking on a three year round-the-world experience, living and visiting 35 countries, Bojorquez began to explore the relationship between graphics and letters and expressing culture and national pride. Bojorquez has exhibited in over 64 museums internationally and locally, with work residing in the permanent collections of the Smithsonian Institute, Los Angeles County Museum of Art, the National Hispanic Cultural Center of New Mexico, the de Young Museum, and the Mexican Fine Arts Center Museum in Chicago. He recently collaborated with Slick and David Flores on a mural at the legendary Hollywood Recording Studios in Hollywood.

Shepard Fairey has become a name synonymous with street art. Expanding on the legacies of pop artists and combining elements of graffiti, pop art, and commercial art, his practice disrupts the distinction between fine and commercial art. Fairey’s work is largely concerned with the role and perception of propaganda, portraiture, and political power. He has most exhibited at Merry Karnowsky Gallery, Pace, Deitch Projects, Exit Gallery, and the Centro de Arte Contemporaneo de Malaga. His mural works can be seen from Los Angeles, to New York City, Johannesburg, London, Paris, Munich, and Vienna with works in the permanent collections of the Victoria and Albert Museum, Los Angeles County Museum of Art, the New Museum, and more.


C.R. Stecyk III “SKULL” 2016 | $12,000
A/P mono print on paper | 39 x 53 in framed | 30 x 43.5 in image

C.R. Stecyk III “SURFER” 2016 | $12,000
A/P mono print on paper | 39 x 53 in framed | 30 x 43.5 in image

C.R. Stecyk III “PALMS” 2016 | $12,000
A/P mono print on paper | 39 x 53 in framed | 30 x 43.5 in image

Shepard Fairey “P.O.P. Wave” 2016 | $2,900
Edition 1/3 | Silkscreen on Metal (Aluminum) | 18 x 24 in | 45.7 x 61 cm

Shepard Fairey “Fruits of our Labor” 2015 | $3,400  SOLD
Edition 3/6 | Silkscreen and Mixed Media Collage on Wood, HPM (Wood) | 18 x 24 in | 45.7 x 61 cm

Shepard Fairey “Concrete Playground” 2016 | $8,400
Edition 1/3 | Silkscreen and Mixed Media Collage on Paper, HPM | 20 x 30 in | 50.8 x 76.2 cm

Shepard Fairey “Society of Destruction” 2015 | $8,500
Edition AP | Silkscreen and Mixed Media Collage on Paper, HPM | 30 x 40 in | 76.2 x 101.6 cm

Shepard Fairey “P.O.P. Wasteland” 2016 | $15,500
Mixed Media (Stencil, Silkscreen, and Collage) on Paper | 30 x 40 in | 76.2 x 101.6 cm

Blek Le Rat “Sign of the Time” (#7) 2015 | $1,900 framed
Mixed media on paper | 30 x 22.5 in | 76cm x 57cm

Chaz Bojòrquez “No More Pompadours” 1987 | $85,000
Mixed media on canvas | 50 x 72 in | 127 x 183 cm

Chaz Bojòrquez “World Pollution” 1990 | $85,000
Acrylic on canvas | 72 x 60 x 3 in

Chaz Bojòrquez “CALI” 2012 | $20,000
Zolatone and acrylic paint, silver marker on paper | 21 x 21 in

Chaz Bojòrquez “LA-EURO-NY” 2012 | $20,000
Zolatone and acrylic paint, glitter on paper | 21 x 21 in

Chaz Bojòrquez “SOMOS, VATOS, LOCOS, DE V LA” 1989 | $15,000
Mixed medium / mono print on paper | 21 x 21 in